Wednesday, September 20, 2006
The whole delusions of the world consists of nine elements - 'Panchamahabhurt' (the fine basic & fundamental elements from which the matter is made.) and four 'Antahkaran' (four types of consciousness).According to the Sadhakas, these nine elements symbolize the nine forms of 'Shakti' or goddess Durga. This Shakti prevails in the whole world. The same Shakti is known as 'Mahakali' (which symbolises physical, strength & power), 'Mahalaxmi' (which symbolises materialistic wealth and prosperity), and 'Mahasaraswati' (which symbolises mental).Eighteen days have been fined as the most auspicious days, for the worship of three forms of Durga. Out of these eighteen days, nine days come in the Hindu month of 'Vasant' (spring) and the remaining nine-days fall in the Hindu month of 'Sharad' (Autumn). This is the reason behind the importance of the number nine of the famous Navratras.'
The 9 nights festival of Navratri begins on the first day of Ashwina of the bright fortnight. Seeds are sown, sprouting is watched, the planets are consecrated, and on the 8th and 9th days, Goddess Durga, Vijayashtami and Mahanavami are worshipped.
The Devi Mahatmya and other texts invoking the Goddess who vanquished demons are cited.
The day after Navratri i.e. the 10th day after Ashwina, is Dussera which celebrates the victory of lord Rama over Ravana. Ravana is burnt in effigy, often giant dummies of Ravana stuffed with fireworks are shot with arrows until they blow up before a large, applauding audience.
The most characteristic dances of Gujarat during Navratri are the Rasa and Garba dances which are performed at all levels of society by men and women.The origin of the Rasa is traced back to the legends connected with the life of Lord Krishna. It is essentially associated with the agricultural rites. The Rasa is performed in Gujarat India on Navaratra; and other important festivals associated with harvest and crops. The Rasa dances of Saurashtra are closely related to agricultural functions and are for the best part grain-ritual dances.
They are performed only by men and are often complex circular formations to represent designs of lotus and other designs considered magical religious and auspicious.
The choreographical pattern of the dance, the floor designs made by the dancers, is similar of the paintings seen on the walls of huts. Through these designs whether on the floor or walls, through paint and colour or through dance, ritual is held and spirits are invoked. This is another aspect of the fertility cult. is mother aspect of Navratri. A cloth called Mata ni Pachepi, where the adventures of the seven mothers, is painted. The mother, one of the seven archetypes, is painted in the centre and she is surrounded by her devotees and Bua, the magician-priest. At the end of the month the Bua wraps the cloth around him and sings and dances with Virgin girls carrying pots of sprouted corn finally, the pot at immersed in the waters of a river. In all cases, the object is always either burnt or consigned to the waters. The Rasa follows.
The most impressive artistry of the Rasa dances of Gujarat and Saurashtra is displayed in the Dandiya Rasa by men. It is a counterpart of the Garba of the women. The dancers use sticks at the end of which tiny bells (ghungrus) are tied so that they give off a clear jingling sound when they strike one another. This dance has a very complicated rhythm pattern and even though the dancers begin in a slow tempo, the dance develops in such manner that each person in the circle not only performs a solo dance with his own sticks, but also has a complex multiple relationship with both his partners on either side as also partners opposite him in the circles. The circle keeps breaking sometimes into two concentric circles and sometimes into three or four circles within the orbit of a larger circle.
The dancers of each concentric circle then weave patterns with each other and with members of the other circle. There is a great deal of freedom in the movements and sticks are beaten in standing, sitting or lying position. Occasionally, the men weave patterns of an intertwined rope in a circle; they lie on the floor with the two sticks being beaten above their heads and chests; sometimes instead of hands, the feet hold and strike the sticks. The Dandiya Rasa is obviously of ancient origin and of ritual significance. From what one can gather from Sanskrit dramas, it became in course of time a popular, and is mentioned in Rajshekhar's Karpur Manjari.
Each community has its distinctive dance patterns.
The Garba of Gujarat is the most popular women's folk dance of Gujarat. During Navratri, a pot is ceremoniously placed attractive designs are made on the pot and a light is placed inside. Village girls bearing pots (garbis) on their heads go from door to door and dance around the respective house.
The 9 nights festival of Navratri begins on the first day of Ashwina of the bright fortnight. Seeds are sown, sprouting is watched, the planets are consecrated, and on the 8th and 9th days, Goddess Durga, Vijayashtami and Mahanavami are worshipped.
The Devi Mahatmya and other texts invoking the Goddess who vanquished demons are cited.
The day after Navratri i.e. the 10th day after Ashwina, is Dussera which celebrates the victory of lord Rama over Ravana. Ravana is burnt in effigy, often giant dummies of Ravana stuffed with fireworks are shot with arrows until they blow up before a large, applauding audience.
The most characteristic dances of Gujarat during Navratri are the Rasa and Garba dances which are performed at all levels of society by men and women.The origin of the Rasa is traced back to the legends connected with the life of Lord Krishna. It is essentially associated with the agricultural rites. The Rasa is performed in Gujarat India on Navaratra; and other important festivals associated with harvest and crops. The Rasa dances of Saurashtra are closely related to agricultural functions and are for the best part grain-ritual dances.
They are performed only by men and are often complex circular formations to represent designs of lotus and other designs considered magical religious and auspicious.
The choreographical pattern of the dance, the floor designs made by the dancers, is similar of the paintings seen on the walls of huts. Through these designs whether on the floor or walls, through paint and colour or through dance, ritual is held and spirits are invoked. This is another aspect of the fertility cult. is mother aspect of Navratri. A cloth called Mata ni Pachepi, where the adventures of the seven mothers, is painted. The mother, one of the seven archetypes, is painted in the centre and she is surrounded by her devotees and Bua, the magician-priest. At the end of the month the Bua wraps the cloth around him and sings and dances with Virgin girls carrying pots of sprouted corn finally, the pot at immersed in the waters of a river. In all cases, the object is always either burnt or consigned to the waters. The Rasa follows.
The most impressive artistry of the Rasa dances of Gujarat and Saurashtra is displayed in the Dandiya Rasa by men. It is a counterpart of the Garba of the women. The dancers use sticks at the end of which tiny bells (ghungrus) are tied so that they give off a clear jingling sound when they strike one another. This dance has a very complicated rhythm pattern and even though the dancers begin in a slow tempo, the dance develops in such manner that each person in the circle not only performs a solo dance with his own sticks, but also has a complex multiple relationship with both his partners on either side as also partners opposite him in the circles. The circle keeps breaking sometimes into two concentric circles and sometimes into three or four circles within the orbit of a larger circle.
The dancers of each concentric circle then weave patterns with each other and with members of the other circle. There is a great deal of freedom in the movements and sticks are beaten in standing, sitting or lying position. Occasionally, the men weave patterns of an intertwined rope in a circle; they lie on the floor with the two sticks being beaten above their heads and chests; sometimes instead of hands, the feet hold and strike the sticks. The Dandiya Rasa is obviously of ancient origin and of ritual significance. From what one can gather from Sanskrit dramas, it became in course of time a popular, and is mentioned in Rajshekhar's Karpur Manjari.
Each community has its distinctive dance patterns.
The Garba of Gujarat is the most popular women's folk dance of Gujarat. During Navratri, a pot is ceremoniously placed attractive designs are made on the pot and a light is placed inside. Village girls bearing pots (garbis) on their heads go from door to door and dance around the respective house.
The leader of the group sings the first line of the song while the rest repeat it in chorus, the beat being produced clapping hands or striking sticks in unison. At every step they gracefully bend sideways, the arms coming together in beautiful sweeping gestures, up and down, left and right, each movement ending in clap.
The Garba is indeed a ceremony in which everyone can take part irrespective of caste or social position. The dances are accompanied by drums (dholak) and the vocal women. The songs of the Garba are often history and melodious and have been handed down through generations. The origins of the seem to be a tribal dance revolving around a hunt; later it was transformed into an agricultural ritual dedicated to the goddess Ambika. Today it is a social dance at all levels of society. In essence, it continues to be a fertility dance.
There are variations in the garba different regions communities and dancers have involved their own style and steps. In Gujarat, as in Rajasthan, tribal, rural and urban life is interlinked. While the tribes respond to the natural environment, the forest, the sea or the desert, the agricultural community moves around the mother-goddess. She is worshipped as an icon or painted image or painted scroll or as a symbol - an earthen pot (garbi) or a bamboo or wood structure mandavi. The ritual of the Navaratra of the sowing and sprouting of corn for nine days and the climax through a variety of dances links agricultural and urban societies. Today in the cities and town the dance is a social activity and entertainment rather than religious agricultural or fertility symbol.
Ahmedabad is one of the greatest places to enjoy Navratri. All kinds of Rasa-Garbas, Dandia ras etc. are practiced in this period, feasting and fasting are important cultural aspects of this day, and various rituals are performed at temples of the 9 Goddesses of Hinduism. The atmosphere is electric and revelry is in the air. The best places to enjoy the atmosphere of Navratri in Ahmedabad.
The historical background Navratri or the Festival of Nine Nights from Ashvin Sud 1 to 9 is devoted to the propitiation of Shakti or Divine Mother. She represents prakriti, counterpart of purusha jointly making possible the creation of the world according to the religious ideology of Goddess worship. Such worships were prevalent in India even before the advent of the Aryans, who adopted it as a religious practice. References in vedas and puranas confirm this opinion. The main temples of mother goddess that are visited by multitude of devotees during Navratri are the shaktipithas, of which there are three in Gujarat. It is believed that Lord Vishnu had to cut the body of Sati into pieces to stop the destruction by Shiva who was perturbed by her death. At fifty-two places these pieces fell, the three in Gujarat being; Ambaji in Banaskantha, Bahucharaji in Chunaval and Kalika on Pavagadh hill in Panchmahals.
This festival is essentially religious in nature. It is celebrated with true devotion in the various temples dedicated to the Mother, or Mataji, as she is familiarly called. In some homes, images of the Mother are worshipped in accordance with accepted practice. This is also true of the temples, which usually have a constant stream of visitors from morning to night.
Celebration Galore The most common form of public celebration is the performance of garba or dandia-ras, Gujarat's popular folk-dance, late throughout the nights of these nine days in public squares, open grounds and streets. Females wear ethnic Chania Choli and Males wear Dhoti-Kurta and enjoy garba and dandiya ras (dance) the whole Night. The participants move round in a circle around a mandvi (garbo), a structure to hold earthen lamps filled with water and to house the image or idol of mother goddess. A betel nut and a silver coin are placed within the pot, called a kumbh, on top of which a coconut has also been placed. Pandals are erected over these madvis and decorated with asopalav, date palm leaves, flowers and electric light. As the dancers whirl around the pot, a singer and a drummer provide the musical accompaniment. The participants clap in a steady rhythm. The dance usually starts slowly. It gets faster and faster as the music too gets more rapid until the dance abruptly comes to a halt. There is a pause for a while and the dance commences once again, the singer leading with a new song.
Another dance which is also a feature of Navaratri is the dandia-ras or ‘stick’ dance, in which men and women join the dance circle, holding small polished sticks or dandias. As they whirl to the intoxicating rhythm of the dance, men and women strike the dandias together, adding to the joyous atmosphere. So popular are the garba and the dandia-ras that competitions are held to assess the quality of the dancing. Prizes are given to those judged to be the best. The costumes worn for the dances are traditional and alive with colour. The dances usually commence late in the night and continue until early morning, testifying to their great popularity.
Navratri in Gujarat In different parts of the state the celebration of Navratri has different emphasis. In Saurashtra, bhavai, a dance drama is played. At Vadnagar in Mehsana Vada Garbani Sheri is focus of the attention as large number of men and women participate in garba. In Ahmedabad the fusion of modern music is at its peak and youngsters have gala time. The overnight extravaganza is worth witnessing for pomp, splendour and exhilaration that permeates everywhere. Isanpur near Ahmedabad is famous for its mandvi, which is erected on the thirteenth day with arti being performed the next day early in the morning. Account of Navratri would be incomplete without reference to Vadodara, the city of art and culture. Here, number of groups performs garba in quite professional manner. A bhavai performance is also held at Baroda’s Ambaji temple, during Navratri. The grace and dignity of the performances of Baroda leaves nothing to chance for its perfection.
Navratri is thus the festival that combines religious, devotional, cultural and recreational activities for almost a fortnight. To be in Gujarat during Navratri is to witness Gujarat at her best.
Navratri - the nine sacred nights is one of the most celebrated festivals of India. This begins from the first day (Pradhamai) after Amavasya in the month of Purattasi as it is known in Tamil. This nine days festival is essentially celebrated to worship Devi and to commemorate the victory of good over evil, i.e bringing to an end the atrocities of Asuras like Mahishasuran, Shumban, Nishumban, Madhukaidapan, Thumralochanan and Rakthabheejan. During Navrathri Devi is worshipped in the form of Sri Durga for the first three days, as Sri Lakshmi for the second three days and as Sri Saraswati for the next three days.
The historical background Navratri or the Festival of Nine Nights from Ashvin Sud 1 to 9 is devoted to the propitiation of Shakti or Divine Mother. She represents prakriti, counterpart of purusha jointly making possible the creation of the world according to the religious ideology of Goddess worship. Such worships were prevalent in India even before the advent of the Aryans, who adopted it as a religious practice. References in vedas and puranas confirm this opinion. The main temples of mother goddess that are visited by multitude of devotees during Navratri are the shaktipithas, of which there are three in Gujarat. It is believed that Lord Vishnu had to cut the body of Sati into pieces to stop the destruction by Shiva who was perturbed by her death. At fifty-two places these pieces fell, the three in Gujarat being; Ambaji in Banaskantha, Bahucharaji in Chunaval and Kalika on Pavagadh hill in Panchmahals.
This festival is essentially religious in nature. It is celebrated with true devotion in the various temples dedicated to the Mother, or Mataji, as she is familiarly called. In some homes, images of the Mother are worshipped in accordance with accepted practice. This is also true of the temples, which usually have a constant stream of visitors from morning to night.
Celebration Galore The most common form of public celebration is the performance of garba or dandia-ras, Gujarat's popular folk-dance, late throughout the nights of these nine days in public squares, open grounds and streets. Females wear ethnic Chania Choli and Males wear Dhoti-Kurta and enjoy garba and dandiya ras (dance) the whole Night. The participants move round in a circle around a mandvi (garbo), a structure to hold earthen lamps filled with water and to house the image or idol of mother goddess. A betel nut and a silver coin are placed within the pot, called a kumbh, on top of which a coconut has also been placed. Pandals are erected over these madvis and decorated with asopalav, date palm leaves, flowers and electric light. As the dancers whirl around the pot, a singer and a drummer provide the musical accompaniment. The participants clap in a steady rhythm. The dance usually starts slowly. It gets faster and faster as the music too gets more rapid until the dance abruptly comes to a halt. There is a pause for a while and the dance commences once again, the singer leading with a new song.
Another dance which is also a feature of Navaratri is the dandia-ras or ‘stick’ dance, in which men and women join the dance circle, holding small polished sticks or dandias. As they whirl to the intoxicating rhythm of the dance, men and women strike the dandias together, adding to the joyous atmosphere. So popular are the garba and the dandia-ras that competitions are held to assess the quality of the dancing. Prizes are given to those judged to be the best. The costumes worn for the dances are traditional and alive with colour. The dances usually commence late in the night and continue until early morning, testifying to their great popularity.
Navratri in Gujarat In different parts of the state the celebration of Navratri has different emphasis. In Saurashtra, bhavai, a dance drama is played. At Vadnagar in Mehsana Vada Garbani Sheri is focus of the attention as large number of men and women participate in garba. In Ahmedabad the fusion of modern music is at its peak and youngsters have gala time. The overnight extravaganza is worth witnessing for pomp, splendour and exhilaration that permeates everywhere. Isanpur near Ahmedabad is famous for its mandvi, which is erected on the thirteenth day with arti being performed the next day early in the morning. Account of Navratri would be incomplete without reference to Vadodara, the city of art and culture. Here, number of groups performs garba in quite professional manner. A bhavai performance is also held at Baroda’s Ambaji temple, during Navratri. The grace and dignity of the performances of Baroda leaves nothing to chance for its perfection.
Navratri is thus the festival that combines religious, devotional, cultural and recreational activities for almost a fortnight. To be in Gujarat during Navratri is to witness Gujarat at her best.
Navratri - the nine sacred nights is one of the most celebrated festivals of India. This begins from the first day (Pradhamai) after Amavasya in the month of Purattasi as it is known in Tamil. This nine days festival is essentially celebrated to worship Devi and to commemorate the victory of good over evil, i.e bringing to an end the atrocities of Asuras like Mahishasuran, Shumban, Nishumban, Madhukaidapan, Thumralochanan and Rakthabheejan. During Navrathri Devi is worshipped in the form of Sri Durga for the first three days, as Sri Lakshmi for the second three days and as Sri Saraswati for the next three days.
In the south , during Navratri the occassion is also used to invite all the friends , relatives and neighbours over to home to look at the Kolu that is arranged. Every year the young girls in the house along with their mothers vie with each other to create a Kolu with a different look. All the nine days are a non stop entertainment period with songs and dances.
We at Panchangam want to also be a part of the seasonal festivities by giving an opportunity to the visitors to create their own Kolu on their desktop. Enjoy yourself by creating your own Kolu and be a part of the festival and entertainment. "YOU MAY EVEN TAKE A PRINTOUT OF YOUR OWN KOLU AND PRESERVE IT"
We have three kolu options for you. Follow the links below to create you own kolu.
Navratri,Navratras,Durga Navratri,Navratri Festival India
Navratri
Navratri,Navratras,Durga Navratri,Navratri Festival India
Navratri
Dandiya, the most awaited traditional dance festival of India.Navratri, the festival of nights, lasts for 9 days with three days each devoted to worship of Ma Durga, the Goddess of Valor, Ma Lakshmi, the Goddess of Wealth and Ma Saraswati, the Goddess of Knowledge. During the nine days of Navratri, feasting and fasting take precedence over all normal daily activities amongst the Hindus. Evenings give rise to the religious dances in order to worhip Goddess Durga Maa.
1st - 3rd day of Navratri On the first day of the Navaratras, a small bed of mud is prepared in the puja room of the house and barley seeds are sown on it. On the tenth day, the shoots are about 3 - 5 inches in length. After the puja, these seedlings are pulled out and given to devotees as a blessing from god. These initial days are dedicated to Durga Maa, the Goddess of power and energy. Her various manifestations, Kumari, Parvati and Kali are all worshipped during these days. They represent the three different classes of womanhood that include the child, the young girl and the mature woman.
4th - 6th day of Navratri During these days, Lakshmi Maa, the Goddess of peace and prosperity is worshipped. On the fifth day which is known as Lalita Panchami, it is traditional, to gather and display all literature available in the house, light a lamp or 'diya' to invoke Saraswati Maa, the Goddess of knowledge and art.
7th - 8th day of Navratri These final days belong to Saraswati Maa who is worshipped to acquire the spiritual knowledge. This in turn will free us from all earthly bondage. But on the 8th day of this colourful festival, yagna (holy fire) is performed. Ghee (clarified butter), kheer (rice pudding) and sesame seeds form the holy offering to Goddess Durga Maa.
Mahanavami The festival of Navratri culminates in Mahanavami. On this day Kanya Puja is performed. Nine young girls representing the nine forms of Goddess Durga are worshiped. Their feet are washed as a mark of respect for the Goddess and then they are offered new clothes as gifts by the worshiper. This ritual is performed in most parts of the country.
1st - 3rd day of Navratri On the first day of the Navaratras, a small bed of mud is prepared in the puja room of the house and barley seeds are sown on it. On the tenth day, the shoots are about 3 - 5 inches in length. After the puja, these seedlings are pulled out and given to devotees as a blessing from god. These initial days are dedicated to Durga Maa, the Goddess of power and energy. Her various manifestations, Kumari, Parvati and Kali are all worshipped during these days. They represent the three different classes of womanhood that include the child, the young girl and the mature woman.
4th - 6th day of Navratri During these days, Lakshmi Maa, the Goddess of peace and prosperity is worshipped. On the fifth day which is known as Lalita Panchami, it is traditional, to gather and display all literature available in the house, light a lamp or 'diya' to invoke Saraswati Maa, the Goddess of knowledge and art.
7th - 8th day of Navratri These final days belong to Saraswati Maa who is worshipped to acquire the spiritual knowledge. This in turn will free us from all earthly bondage. But on the 8th day of this colourful festival, yagna (holy fire) is performed. Ghee (clarified butter), kheer (rice pudding) and sesame seeds form the holy offering to Goddess Durga Maa.
Mahanavami The festival of Navratri culminates in Mahanavami. On this day Kanya Puja is performed. Nine young girls representing the nine forms of Goddess Durga are worshiped. Their feet are washed as a mark of respect for the Goddess and then they are offered new clothes as gifts by the worshiper. This ritual is performed in most parts of the country.
posted by JEI @ JEIZONE at 09:11 | 
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